General Rules for 2024 Competition

APPLICATION PERIOD:  May 1, 2024 to September 1, 2024. Judging period is approximately one week. Results will be posted by September 7, 2024. Winners will be posted here, on our website.

YOUTUBE LINK MUST BE SUBMITTED BY: September 1, 2024.

APPLICATION FEE: 
$60 (5 minutes and less, 1 or 2 solo piano Austrian or German piece(s)
$75 (6 to 10 minutes, 1 or 2 solo piano Austrian or German piece(s) OR piano concerto movement OR piano/other instruments and chamber music with piano.
$90 (11 to 15 minutes, 1 or 2 solo piano Austrian or German pieces OR piano concerto movement(s) OR piano/other instruments and chamber music with piano.

PERFORMER ELIGIBILITY: Any age, any nationality, any country. 

JUDGING SYSTEM: Each video link is individually evaluated with a point system. There is no peer-to-peer comparison and all participants are individually judged by world class adjudicators.
Gold 96 – 100
Silver 91 – 95
Bronze 85 – 90
Participation Certificate 0 – 84


JUDGING CRITERIA:
Stylistic awareness
Technical facility
Musicality
Sound maturity
General presentation


REPERTOIRE: Published Austrian or German composers only. Maximum 2 pieces are allowed for each category. If 2 pieces are used, please note that lower quality piece will affect the total score. Piano transcriptions of orchestra works by German or Austrian composers are allowed. However, participants may not perform simplified editions, non-classical, or any music from method books. Memorization required for all SOLO and CONCERTO works. Chamber works (i.e., duets, trios, etc) are excluded from the memorization requirement.

YOUTUBE:
All solo piano works must be performed from memory except for chamber works. Concertos must be performed by memory and must have accompaniment. For piano concertos, the accompanist's face must NOT BE VISIBLE on the YouTube link. The video must be unedited and must clearly show the contestant’s hand and face. The judges' decision are final and cannot be appealed. TITLE in YouTube link must say 2024 International German Music Piano Competition, NAME and AGE. DESCRIPTION AREA must have composer(s) and piece(s) performed. 

INSTRUMENTS: Solo piano, piano duets, piano trios, piano transcriptions, piano ensembles with other instruments, piano concertos

PRIZES: Downloadable Medal diplomas will be provided to all Gold, Silver, Bronze winners, each with winner's name and teacher's name. Outstanding video performances from the Gold winners will be chosen by judge and will be featured on website and social media. 

READY TO REGISTER?

Pianists may enter for DIFFERENT categories, (piano solo, duos, concertos, chamber group etc, but must register and pay for each one separately)
NO REFUNDS ISSUED AFTER REGISTRATION. 

APPLICATION FEE:
$60 (5 minutes and less, 1 or 2 solo piano Austrian or German piece(s)
$75 (6 to 10 minutes, 1 or 2 solo piano Austrian or German piece(s) OR piano concerto movement OR piano/other instruments and chamber music with piano.
$90 (11 to 15 minutes, 1 or 2 solo piano Austrian or German pieces OR piano concerto movement(s) OR piano/other instruments and chamber music with piano.

APPLICATION PERIOD:
May 1, 2024 to September 1, 2024. Judging period is approximately one week.
Results will be posted by September 7, 2024. Winners will be posted here, on our website.

2024 ADJUDICATOR

DR. ALVIN CHOW

Alvin Chow has appeared throughout North America and Asia as orchestral soloist and recitalist. In addition, he has performed extensively in duo-piano recitals with his wife, Angela Cheng, and his twin brother, Alan. A native of Miami, Florida, he graduated summa cum laude and Co-Valedictorian (with his brother) at the University of Maryland, where he was a student of Nelita True. Mr. Chow received the Victor Herbert Prize in Piano upon graduation from the Juilliard School, where he studied with Sasha Gorodnitzki, and held the Joseph Battista Memorial Scholarship at Indiana University as a student of Menahem Pressler.

Mr. Chow has won top prizes in numerous competitions such as the National Symphony Young Soloists Competition, Civic Orchestra of Chicago Young Soloists Competition, William Kapell International Piano Competition, and the New York Piano Teachers Congress International Piano Competition. He has been presented as recitalist in such cities as Hong Kong, Shanghai, Vienna, Montreal, Toronto, New York, and Los Angeles, and has appeared as soloist with the National Symphony Orchestra, Civic Orchestra of Chicago, Colorado Symphony, Alabama Symphony, Pan-Asia Symphony in Hong Kong, Shanghai Philharmonic, and Mozarteum Orchestra in Salzburg, among others. He has also been Convention Artist for the state MTNA conferences in California, Colorado, Florida, Hawaii, Michigan, Minnesota, Mississippi, Missouri, Montana, New Jersey, Ohio, and Tennessee. With Angela Cheng, he performed as Conference Artist for the 2019 National Conference on Keyboard Pedagogy.

Mr. Chow has presented numerous master classes and lectures at music institutions throughout the United States and abroad, including the Royal Conservatory of Music in Toronto, Hong Kong Academy for Performing Arts, Colburn School, Eastman School of Music, and Indiana University. He has taught and performed at numerous summer festivals, including the Shanghai Piano Festival, Banff Piano Master Classes, North Coast Piano Festival, Southeastern Piano Festival, New Orleans International Piano Festival, Rebecca Penneys Piano Festival, Lake Como Summer Piano School in Italy, and the Classical Music Festival in Eisenstadt, Austria.

Mr. Chow was the first Fulbright Visiting Artist in Piano at the University of Arkansas, and also taught at the University of Colorado. Mr. Chow is presently a member of the artist faculty at the Oberlin Conservatory of Music. He served as Chair of the Piano Department from 2007-19, and from 2011-14 he was the Ruth Strickland Gardner Professor of Music. Awarded Oberlin’s Excellence in Teaching Award in 2016, Mr. Chow was appointed Director of the Division of Keyboard Studies in 2019.

2023 ADJUDICATOR

Peter Takács

Hailed by the New York Times as “a marvelous pianist,” PETER TAKÁCS has performed widely, receiving critical and audience acclaim for his penetrating and communicative musical interpretations.

Mr. Takács was born in Bucuresti, Romania and started his musical studies before his fourth birthday. After his debut recital at age seven, he was a frequent recitalist in his native city until his parents' request for emigration to the West, at which point all his studies and performances were banned. He continued studying clandestinely with his piano teacher until his family was finally allowed to emigrate to France, where, at age fourteen, he was admitted to the Conservatoire National de Paris.

Upon his arrival in the United States, his outstanding musical talents continued to be recognized with full scholarships to Northwestern University and the University of Illinois, and a three-year fellowship for doctoral studies at the Peabody Conservatory, where he completed his artistic training with renowned pianist Leon Fleisher.

Mr. Takács has received numerous prizes and awards for his performances, including First Prize in the William Kapell International Competition, the C.D. Jackson Award for Excellence in Chamber Music at the Tanglewood Music Center, and a Solo Recitalist Grant from the National Endowment for the Arts. He has performed as guest soloist with major orchestras in the U.S. and abroad, as well as at important summer festivals such as Tanglewood, Music Mountain, Chautauqua Institution, ARIA International, Schlern Music Festival in the Italian Alps, Tel Hai International Master Classes in Israel, Sweden’s Helsingborg Festival, and Musicfest Perugia 2014. Since 2008, he has been a member of the faculty at the Montecito Summer Music Festival in Riverside, CA. He has performed and recorded the complete cycle of Beethoven Piano Sonatas, which was released on the CAMBRIA label in July 2011, as well as the complete Beethoven piano-cello works with Robert DeMaine, released in 2022 on the Leaf Music label. In 2015, he was selected to inaugurate a new series in Weill Hall at Carnegie Hall entitled “Key Pianists”, presenting three recitals of Beethoven solo and chamber music to critical acclaim. In 2020, an endowed fund was established for The Peter Takács Beethoven Prize in Piano. He is Professor of Piano at the Oberlin Conservatory of Music, where he has taught since 1976.

2024 RESULTS

CONGRATULATIONS TO ALL OUR MEDALISTS. Adjudication notes and Medal Certificates will be emailed directly to the teachers by September 12, 2024

PIANO SOLO: BAROQUE
PIANO SOLO: CLASSICAL
PIANO SOLO: ROMANTIC 
PIANO SOLO: CONTEMPORARY 
DUETS:
CHAMBER:
CONCERTO:

About Us
  • 100% of all registration fees from the International German Music Piano Competition go directly to Bellevue Symphony. We are an all-volunteer 501(c)(3) non-profit organization.
    Get In Touch

      Dr. Yelena Balabanova, Competition Director

      Conney Vernall, Competition Director

      Allan Park, Registrar

    Executive Board

    BELLEVUE SYMPHONY 
BOARD MEMBERS:
    Dr. Sara Wagner, Board Member, Executive Director
    Allan Park, President
    Dr. Adam Aleksander, 1st Vice President
    Nino Merabishvili, 2nd Vice President
    Dr. Hanna Cyba, Secretary
    Brian Davenport, Treasurer
    Dana Davenport, Board Member, Logistics
    Jeff Elwell, Board Member, Concert Manager
    Kevin Burton, Board Member, Hospitality Manager

    BELLEVUE SYMPHONY STAFF
    Bob Gale, Personnel Manager
    Deborah McClellan, Librarian

    ADVISORS
    Dr. Yelena Balabanova, Artistic Advisor
    Dr. Natalya Ageyeva, Advisor
    Dr. Renato Fabbro, Advisor
    Conney Vernall, Advisor
    Risa Jun, Advisor